Sheikh's personal jeweler

Sheikh's personal jeweler
Sheikh's personal jeweler
Anonim

Artist Asya Eutykh makes weapons for Arab sheikhs and exclusive jewelry for monarchs. Her works are kept in the private collections of Elton John and Vladimir Putin. And the Jordanian Prince Ali bin Hussein appointed her as his personal fashion designer.

Sheikh's personal jeweler

Artist Asya Eutykh makes weapons for Arab sheikhs and exclusive jewelry for monarchs. Her works are kept in the private collections of Elton John and Vladimir Putin. And the Jordanian Prince Ali bin Hussein appointed her as his personal fashion designer.

Long before I was born, my grandmother, an heiress of a princely family, predicted to her son, Ph.D. in economics, and his wife, a doctor: "You will be the parents of an unusually talented girl." And she gave me a name. Neither father nor mother then believed and did not understand why the grandmother distinguished their daughter, singled out from nine other grandchildren.

Yes, she “saw” my fame, but she didn’t say a word about what exactly would make our surname famous. My grandfather, they say, was a jeweler-gunsmith and a lover of windmills - he was interested in their design. Grandmother is a famous storyteller in Adygea. Writers, local historians came to us, sat for hours near it with microphones, listened to the Nart epic. Grandmother sang it in a recitative very similar to modern rap.

She diligently passed on to me everything that she herself owned: the ability to sew, weave, embroider with gold. And yet, elements of household magic - divination on beans, weather forecasting and even the secrets of making gunpowder. Thanks to my grandmother, at the age of seven I was excellent in the saddle. That's just peers at school seemed a medieval miracle, a loner. I realized early that the most interesting friends are books, I carried them in my briefcase, read them in class, at breaks. And I drew all the time.

Once dad took me with a sketchbook to the mountains near Maykop. Having made a sketch, I drew attention to the rock behind me. The cream-colored sandstone was easily scratched with a knife (I always carried it with me). I didn’t notice how the day flew by - I cut out a girl looking out the window from a house with an arch and columns. And when I went downstairs, I suddenly caught my breath - a fresh rock drawing looked like a real antiquity. And dad was shocked. After that, he became serious about my desire to redo everything around. Many years later, my father, sitting by the pool in my today's yard, said: “Wow! You really fulfilled everything that you dreamed about as a child, but I thought - naive fantasies. How could she have foreseen this?”

I chose my profession during the first years of the art and graphic department of the Karachay-Cherkess Pedagogical Institute, and I started making silver jewelry and daggers after meeting the legendary Dagestan master Kurbanali Magomedov. In Dagestan, I learned filigree, but I had to master toreutics, which is considered a “dead” craft of the Scythians in Adygea, on my own. She turned the old instruments left over from her grandfather in her hands, read books, searched for what she needed by trial and error. My interest "became ancient" - from the late Middle Ages to the early, from antiquity - to the Scythians.

When I first melted the metal myself and made a filigree ball studded with grains, I realized that I had found something that I would never get tired of doing. Created my first workshop. As for technology, I got to all the secrets together with my husband, Ruslan Turkaev, studying archaeological ceramics, toreutics, jewelry and many other antiquities that are magically attracted to our house. It became a receptacle for a huge number of books, tools, vessels, hearth chains, mills and even mammoth bones. Do you find this funny? And I always wanted to have just such a house…

How did you meet the Prince of Jordan? I am sure that he did not know about the existence of the Republic of Adygea until one of the foreign guests left a Russian magazine with photographs of my daggers in his palace. Fluke. A couple of months later, I received an order by phone for the manufacture of weapons for the personal protection of the royal person, and later - for the creation of a wedding dress for the princess. And, finally, to the family porcelain table service. Excuses: “Yes, I don’t sew!” and "Gunsmiths don't make utensils" were not accepted. It turns out that I owe my universality to Ali bin Hussein, and my youngest son, Bibars, owes his royal name. My husband Ruslan and I jokingly call the boy “Jordanian smuggling”. She wore it under her heart during the months of work on the order of the prince. So he traveled with us across the border back and forth.

We became very good friends with Ali bin Hussein, his wife. She was delighted with her wedding dress - I sewed 300 of the thinnest leaves of gold and silver on it, weaved about a meter of shoulder chains with links in the form of lion heads. And the prince liked my trademark lions so much that he got the same tattoo on his shoulder.

There is not a single random curl or symbol in my products, everything means something. Often jokes are hidden in the drawings and the god of time is always present, but I never reveal everything, based on the principle “The one who speaks does not know, the one who knows does not speak.” When the work comes to an end and begins to take on a life of its own, you understand that the brilliance of the metal is all the same - a year is reflected in it or a thousand years …

I often remember my grandmother's saying "What your eyes have seen is the price of your head." I traveled a lot, studied, traveled again. I saw so many museums, monuments of architecture and history that she would be pleased with me. But still, I love my native mountains more than anything in the world. You inhale the aromas of herbs, look at the sky, feel the wind of the peaks and try to catch the line when inhalation turns into exhalation, the future becomes the past. In the mountains, I learned not to be afraid of anything, I found my "I", as the monks find it, becoming hermits. For me, unity with nature is the realization of harmony. As a child, I remembered the words of Leonardo da Vinci that the main teacher is nature. It really is!

Several years ago, high in the Adyghe gorges, my mother and I planted our park. According to the sketches of Countess Uvarova, a landscape of the 19th century was recreated. Old pears grew in the mountains, we added new trees. Our park covers 5 hectares. And it's a fairy tale!

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